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Spiegelman did a strip on the collaboration for the New York Times, here (Spiegelman is proud to be a philistine, but calling "The Red Shoes" dull is a bit much):
http://www.nytimes.com/interactive/2010/07/11/arts/dance/SPIEGELMANWEB.html
And here's a preview of the process, below. I worked with Element Dance Theater several years ago to create a blend of dance and animation, called "Zoetrope" -- the dancers interacted with animation that was created to specifically play off the dancers themselves, and they also did some shadow-play with an old Betty Boop cartoon. I really identify with the push-and-pull between stasis and movement, and the particularly ephemeral qualities of dance that Spiegelman talks about in the interview.
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